David Crowder's New Book
This morning I was thinking about death, and how maybe I think about death more than the average person. I think about my own death and about other people dying quite a bit. I used to think about myself dying a lot when I was younger. I never felt invincible the way teenagers are supposed to. But now I think about other people dying more often than my own death, so when I picked up David Crowder and Mike Hogan’s new book today at Borders (and by "picked up" I do mean "took to the café and back down to the shelf") I believed it to be timely and therefore the book is now my favorite.Everybody Wants To Go To Heaven But Nobody Wants to Die or (the eschatology of bluegrass) drew me in for the duration of all 261 pages and one restroom break. Let’s first get one thing out of the way.
Eschatology (n.): The part of theology concerned with death and the final destiny of the soul and of humankind.
When I was as young as seven I remember lying awake at night staring at my nightlight and weeping over the inevitable death of my parents. I was trying to prepare myself for the awful day that nobody is ever prepared for. Since then I am able to cry on command at the mere thought of their burial. This quirk came in handy in my drama classes, but it does very little to ameliorate my profound emotions. Sometimes I think about my husband, Patrick, dying and what I would do afterwards, and how I might react, and who I would call first. I also bawl at the thought of my college roommate, Dayle, dying all the way over in Nova Scotia. I get queasy when I think of my friend Melanie dying in any situation. Also my friends, Jill and Sean. When I think of their four children dying I shut down completely because my mind doesn’t even let me go there. I also shut down at the thought of Twin Sister Heather dead, or Aunt Carole. Etc. They are all still alive. Sometimes I save their voice messages on my cell phone in case I need to hear their voices after they’re gone. Is this normal? Anyway.
On page 8 of the book’s introduction (there is an intro and a prologue, both of which I usually skip in most books except this one) the authors write,
"The thing about grief is that it makes it terribly difficult to see
further than the feelings that are in your chest. It sets a tint over your
world. Everywhere you look is colored and blurry from the heart’s
sinking."
I’ve only known this type of grief while mourning the end of relationships. Somehow no one I’m close to has died yet. The fear is in the total lack of control and the appearance of finality. This finality and the afterlife are discussed in the book, literally, as in the form of instant messaging. But what do grief and the afterlife have to do with bluegrass music?
"There is an eschatology to bluegrass music that holds both suffering and hope.
Both are inherent and necessary items within it." -page 9
I feel the same way about comedy. When I see or hear or meet an intensely humorous person I assume immediately that he or she is acquainted with grief, and has personally mined hope out of the deepest recesses of sorrow with bare, wet hands and refined it into something useful and positive.
"This book is a study of grief and the soul. It is a book about the pain that
absence can bring. It is about the sharpness of memory that eventually dulls
into something we both fear and pray for. It is a book about dying." - page 10
But it is so much more than that. Crowder and Hogan weave a narrative with a series of creative stories, correspondences, and world history to present a heartbreakingly superb presentation of the grieving process and the hope of moving forward.
Also explained is the difference between the violin and the fiddle: a question that has plagued my mind for weeks and the answer is "not much." It’s all in attitude, style, and whether or not tuxedos are introduced. I am somewhat embarrassed that I did not know this answer sooner, given my hillbilly background (I can’t deny my roots).
I noticed this book does not currently possess any book awards blooming on its cover and that is of the utmost disgrace. I hereby bestow praise in the form of the illustrious and much sought-after "Raddie Award" courtesy of The Free Radical.









